On the other side of a page

Video artist's book which explores the limits of this format and reflects on relations between real data and synthetic data that companies use to train AI models. In models like that there are no records about real events, people etc. We can find ourselves at a new point where art could rely not on a real art history but on a synthetic art history. It raises a question of the essence of art in general and we face the question: "could non-human agents have their own condition of art?"